ROZ KIRBY: Have you been satisfied with what you’ve done?
KIRBY: Have I been satisfied with what I’ve done?
KIRBY: If I’ve done it myself, I’ve always been satisfied. If somebody interfered, it always created a bad period in my life.
GROTH: What was the most creatively rewarding period in your career?
KIRBY: I believe when I was given full rein on The New Gods. I was given full rein on The New Gods, and I was given full rein on Mr. Miracle. Mr. Miracle was a fine strip. I was given full rein on many other strips, which sold extremely well and made me very happy. I was happy doing them because as a professional, you’ve got to take the credit for it, or you’ve got to take the, beating for it. I don’t like to take a beating without being responsible.
GROTH: You don’t want to take somebody else’s beating.
KIRBY: I don’t want to take somebody else’s beating. That makes me unhappy. So right now, I can tell you, I’m a happy man because whatever I’m doing, I do for myself and I do a little creating here and there for others, and they work out very well. I feel like an independent man, and I am. This is the kind of feeling I always wanted. You can rarely get that… Well, I could rarely get that in the early part of my life.
GROTH: I think most people can rarely get that. You have to fight for it.
"It also serves as a nice 'see how you like it' reversal of the way men often speak to young female colleagues, of course. I've actually had a few comments from male readers saying that Klem flirting with Ralph is 'creepy,' and I'm like, *side eyes to camera* 'Mmm-hmm.'"
— I talk to Casey Gilly at CBR about THE FUSE, murder in space, and iconoclastic female characters.
The last few weeks in videogame culture have seen a level of combativeness more marked and bitter than any beforehand.
First, a developer—a woman who makes games who has had so much piled on to her that I don’t want to perpetuate things by naming her—was the target of a harassment campaign that…
This is really strong.
And every word of it true.
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